5 Things We do as Jazz Musicians That Have Made it America’s LEAST Popular Genre (1.4% in 2015)

I know I’ll get some flack for saying some of these things. I’ll just start by saying I’ve done every single thing on here. Not one, a couple, most… every single one. This post is coming from a place self-awareness/self-critique as much as it is about general trends I’m seeing in our field. It goes almost without saying that each point has many, many exceptions. No finger pointing, I just want our music to be heard and think we need to have an open conversation about these issues for that to happen.

So, Jazz has become America’s LEAST popular genre, accounting for only 1.4% of total US music consumption in 2015 because:

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Conversation with NEA Jazz Master, Sheila Jordan

Recently for my Jazz History class at school, I was tasked with interviewing a musician connected with the bebop movement. Sheila Jordan, a friend and mentee of Charlie Parker’s, Duke Jordan’s former partner, a former student of Lennie Tristano (said by Max Roach to be the leader of the “downtown” school of bebop), and of course, an incredibly studied and accomplished musician herself, seemed to be a perfect candidate. I was lucky enough to make contact with her, see her perform for her 90th birthday celebration at Blue Note NYC, and have a wonderfully enlightening conversation at her residence a few days later.

Photo from NewMusic USA
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